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In addition to releasing his latest solo album, Werewolves of Portland, he’s continued to issue loads of video lessons for students of his online guitar school (opens in new tab), all of which make steady use of his home rig. Big, Paul Gilbert established himself as one of the great guitar virtuosos of the era. These are the real deal, racked by Dan Alexander in San Francisco.įrom his mid-1980s years with Racer X through his 1990s tenure with Mr. My pair of vintage Neve 1073 mic preamps.
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Once Pro Tools came out, I switched over and never looked back. It sounded great, but it was a pain in the ass to deal with. In earlier times, I had an MCI 24-track machine with 16-track heads on it. I would always ask questions, so I learned very quickly what I liked, and that’s what I went out and bought when I put together my recording setup many years ago. I started making records at a very young age and I was always curious why recording engineers would select specific gear for certain recording applications. I don’t really use much EQ when I record, because for me it’s primarily about the microphone placement, and the preamp and compression Richie Kotzen My favorite compressor is my Anthony DeMaria Labs C/L 1000 or the 1500 if I’m recording something in stereo. Of course, using Neve or API preamps plays a major role in making it easier to get tone. I don’t really use much EQ when I record, because for me it’s primarily about the microphone placement, and the preamp and compression. I’ve got some vintage Neumann and AKG microphones as well. Since then, I moved the gear back into my home and trimmed down some of the components I found unnecessary for my own personal use.Īs far as gear, I’ve got preamps and various compressors from Manley, API, Neve, Focusrite, and ADL, to name a few. Gene Simmons, among other well-respected folks, recorded there. When it was out of my home, it was part of a public recording studio I used to own called Headroom. Big album Actual Size, as well as both Winery Dog albums and 50 for 50. Although my setup has been relocated on three separate occasions, the actual gear has been used to record most of my music, including the Mr. To make my records and occasionally record other folks. As he reveals below, his home rig is rarely ever turned off. Big and Poison, he’s released more than 20 solo albums – including 2020’s 50 for 50 set, which celebrated his 50th birthday – as well as a trio of discs with the Winery Dogs. Beyond serving as the primary songwriter during his stints with Mr. In addition to being a monster guitar player, Richie Kotzen is a prodigious songwriter. All the other gear was either acquired over the years, received through a recommendation, or sent for me to try out and approved. I’ve used it on the majority of “quarantine video” tracks in 20. Yet once I took it home and found my away around it, I was shocked at all the options, tone-wise and effects-wise. Since there’s a learning curve, I was a bit reliant on my tech and just thought of it as my live rig for metal sounds. The Kemper unit is something that Testament adopted for live shows, encouraged by our sound engineer for its consistency.
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I know it well, and when I need a sound, I know how to find it Alex Skolnick I’ve developed an addiction to the Kemper.
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IK Multimedia has been very supportive, having me design a series of presets for AmpliTube 5, which is really “next level.” I have a few interfaces, all good, but their Axe I/O has noticeable quality, and the IK Multimedia Z-Tone DI helps dial in the signal. I also didn’t have the disruption I’d had before, since it’s an Apple product.
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It has a user-friendly quality, similar to Garage Band, but on the same professional level of ProTools. Once I tried Logic Pro, I liked the feel. I found it was hard to keep up with the updates, and whenever I’d get a new computer, it was complete disruption. I had a ProTools rig for a number of years.